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Chef: fun and entertaining flick

The Edge of Tomorrow: Not a huge Tom Cruise fan, but this was an enjoyable movie

Lucy: I love Scarlett (like virtually all males on this planet), but I thought this was just ok. The premise seemed to get a little convoluted and I think it wanted to be more of a thinker than it actually was. Unfortunately I watched this in my hotel room last night so paid more for this than I think it was worth
quote:
Originally posted by VinCentric:
Hank Cinq, a.k.a. Henry V., Lawrence Olivier 1945 version. Better than the more modern version(s).


Blasphemy! The Kenneth Branagh directed one is magnificent. Besides one of the best orchestral soundtracks ever you have a cast of true thespians like Branagh, Derek Jacobi, Brian Blessed and Ian Holm.

Don't go dissing one of my favorite movies VinC! Wink
quote:
Originally posted by Rob_Sutherland:
quote:
Originally posted by VinCentric:
Hank Cinq, a.k.a. Henry V., Lawrence Olivier 1945 version. Better than the more modern version(s).


Blasphemy! The Kenneth Branagh directed one is magnificent. Besides one of the best orchestral soundtracks ever you have a cast of true thespians like Branagh, Derek Jacobi, Brian Blessed and Ian Holm.

Don't go dissing one of my favorite movies VinC! Wink


For the record, the Branagh Henry V was one of my favorites for movie treatment of the Bard's work, along with Polanski's MacBeth, and more recently Pacino's Merchant. I watched it a number of times when it came out. We thought it was cool that a true thespian was directing and starring in a Shakespear movie. However, I found the simple honesty of the old style stage and great acting of Olivier refreshing in the 1945, as quaint and antiquated as it may seem. Wasn't Olivier a thespian too? The announcer at the beginning of the play puts it well the limited stage the audience to use it's imagination. I liked how the actors portrayed the scenes with limited props and video effect. Sorry Rob.
I saw an excellent doc on HBO "Casting By" it focused on Marion Daugherty and Lyn Stalmaster. Great stories about great actors and directors working with casting directors.
John Travolta almost getting the part of "the kid" in The Last Detail. Finding the you g boy for the banjo part in Deliverence, John Boorman had insisted on an albino till he saw the boy Stalmaster wanted. Many many others, really interesting.
quote:
Originally posted by Merengue:
The phantom menace. Starting to watch the star wars movies with my 6 and 4 year old boys.


Same here, although I started about a year ago. My 6 year old can't wait for the next one to come out. Just don't let them know they make Star Wars Legos, or your wine purchase funds will take a big hit Wink
I haven't written about so many films I've seen, but as "the season" begins, I though I would, again.

Gone Girl
Fun. This film may or may not be trying to be "about" something. But it isn't. So if it was trying, it failed. It does, however, capitalize on our pop-media sensationalist celebrity culture with skewerings both of those who ingest it as well as those who provide it. (See: the send-up of Nancy Grace.) But, again, while this aspect of modern society is used tremendously, there fails to be any deeper meaning or context.

Ben Affleck gives maybe his best performance. Which, though I love him as a director, is a little bit of a backhanded compliment coming from me when referencing his acting. He is, however, very very good and the casting of him is perfect in the context of so much media in his character's life. All the casting is very good, actually. Even Tyler Perry, it turns out, when he is speaking someone else's words, and being directed by someone else, in someone else's production, and when he is playing a middle aged Black man, can be good. Neil Patrick Harris does a good job with what he has, but his character is used almost solely as a plot device. Carrie Coon, whom I had never seen before is great as Affleck's sister and Kim Dickens, whom I've always thought highly of, is great as a police officer. And, of course, while I'm much more of an ass-man, myself; as we all already knew, Emily Ratajkowski's briefly appearing breasts are evidence of a diety.

Rosamund Pike is excellent as the wife of Affleck's character (and the "Girl" who is "Gone"). Beyond the fact that the film is about her disappearance, I won't say anything else plot-wise, though. I will say the film is nearly 2 hours, 30 minutes long and it zips by until about the last 6 minutes before the credits role. The pacing of the film then changes oddly and I was waiting for one more "oomph" that never happened.

Overall, this film is very well made and it is fun, but it is not a great movie. B/B+

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